A lil peek inside Inverted Dome, which is now available for purchase in the New Laconic shop.

It’s been so fun to work on the experimental exhibition catalog for Inverted Dome, and what a dream team. With all sorts of confusion on how to approach the cover, one afternoon I called Charlene Matthews — also known as The Binderess, bookbinder for the greats and exceptional book artist in her own right — and she invited me by her studio, pictured above. It’s a cabinet of curiosities every bit as fascinating as she. I went over the ideas and problems, two minutes later she had the perfect solution and we were testing away.

That’s one moment of many (others involved me being very puzzled with a laminator). I’m grateful to Salome Schmuki for her impeccable design, Michael Ned Holte and Chris Fite-Wassilak for their insightful texts and reflections, the inimitable curator Aurora Tang for her guidance and vision, and to all you, in deep-calls-to-deep fashion, for supporting the way as you do. The Inverted Dome catalog is available for purchase here, and I’ll be sharing a bit more about it soon.

“I think people will have said enough to you about serious things, and so I am going to talk to you about what I feel is valuable, and that people think too little of, about cheerfulness and, something that is part of it as well, not being afraid about problems in life, but finding a natural solution for them.” Sophie Taeuber-Arp, 1937

Jonathan Safran Foer’s novel Tree of Codes is cut out of the original novel The Street of Crocodiles by Bruno Schulz. Although the most time I’ve spent with it was this game of peekaboo.

A slice of the scene the NY Art Book Fair a few Sundays back.

The Werkplaats Typographie set up a hopping book swap on a ping-ping table called Feed the Library.

Publication Studio, with Sam Gould, Mike Wolf, and Matthew Stadler at the helm, whisked ideas from thin air, producing and printing books onsite.

At bottom, artist Minori Kanda’s book with underwear.