CurateLA selects ‘The wilds of epiphenomena’ as a must-see
Thank you to CurateLA for selecting The wilds of epiphenomena at Phase Gallery as a must-see exhibition.
Thank you to CurateLA for selecting The wilds of epiphenomena at Phase Gallery as a must-see exhibition.
I’m thrilled to have curated a new exhibition of LA-based conceptual sculptors at Phase Gallery. The exhibition runs from April 13 – May 11, 2024. Full details below.
The wilds of epiphenomena
Scott Benzel, Tanya Brodsky, Alice Könitz, Rita McBride, Kristin Posehn
An epiphenomena is a second-order phenomenon. In the philosophy of mind, it relates to a theory whereby matter gives rise to mental phenomena and consciousness. Each work in The wilds of epiphenomena explores and probes a world beyond the ordinary, a world of second-order and higher phenomena. With materials ranging from dry ice to currency and electronics, these artworks give rise to physical, imaginal, and conceptual shape-shifting, hinting at the mutable nature of mind and presence.
Curated by Kristin Posehn
Phase Gallery 1718 Albion Street, Los Angeles, 90031
April 13 – May 11, 2024
Monday – Thursday 9am – 5pm, weekends by appointment
Ghost Pearls + Epiphenomena
Saturday, June 10, 2-6pm
RSVP for address
The event will feature a 9 x 8 foot architectural sculpture made from 1000 pieces of individually cut mirror woven into a form of lace, titled Ghost Pearls.
Ghost Pearls explores spaces of connection and mediation. The work is based on research into local and historical forms of lace-making, early digital art, and contemporary virtual space. It references lace in the collection of the Fairview Museum, UT; conversations with lace-makers; historical links between lace, value, and time; the 1964 digital artwork Ninety Parallel Sinusoids with Linearly Increasing Period by A. Michael Noll; and works of the Light and Space movement. The work was the subject of a recent solo exhibition at Granary Arts.
Also on view, a popup tabletop exhibition of works by Rita McBride, Alice Könitz, Scott Benzel, and Tanya Brodsky, titled Epiphenomena. Each of these small-scale sculptures gives rise to second-order phenomena, such as reflectivity, state changes, and other experiential properties. With materials that range from dry ice to electronics, their emergent phenomena hint at the mutable nature of perception and presence.